Friday, 14 October 2016

Samuel Palmer - part 2

1830 Samuel Palmer by George Richmond
graphite on beige wove paper 35.2 x 25.7 cm
Yale Centre for British Art, New Haven, CT
Samuel Palmer (1805 – 1881) English painter and etcher of visionary landscapes who was a disciple of William Blake.

This is part 2 of a 5 - part series on the works of Samuel Palmer. For full biographical notes, and for earlier works, see part 1 also.


1830c A Church among Trees
ink on card 15.2 x 18.4 cm
Tate, London

1830c A Village Church among Trees
black and grey wash on card 18.4 x 15.2 cm
© Victoria and Albert Museum, London

1830c Cornfield by Moonlight
watercolour and gouache, with pen and ink, varnished

1830c In a Shoreham Garden
watercolour
© Victoria and Albert Museum, London

1831-32 Shoreham, Kent
graphite and grey wash on moderately thick, smooth, cream wove paper 7.6 x 11.1 cm
Yale Centre for British Art, New Haven, CT

1831-32c The Harvest Moon: Drawing for ‘A Pastoral Scene’
ink and gouache on paper 15.2 x 18.4 cm
Tate, London

1833-34 The Golden Valley
watercolour, body-colour, gum arabic, gold paint, with ‘scratching out’ over pencil 12.9 x 16 cm

1833-35 A Pastoral Scene
oil and tempera on panel 30 x 40 cm
Ashmolean Museum, Oxford, UK

1835 A Pastoral Scene
brown wash on wove paper 11.4 x 9.5 cm
Yale Centre for British Art, New Haven, CT


1831-33 Moonlight, a Landscape with Sheep
ink on card 15.2 x 18.3 cm
Tate, London

1832c A Road Past a Farm
6.7 x 13 cm

1833 The Harvest Moon
oil on panel 22.2 x 27.6 cm
Yale Centre for British Art, New Haven, CT

1833-34 The Shearers
oil and tempera on wood
Private Collection

1833-34 The Timber Wain
watercolour and gouache on cream wove paper 52.7 x 40 cm
Yale Centre for British Art, New Haven CT

1833-34 The Weald of Kent
watercolour and gouache on cream wove paper 27 x 18.7 cm
Yale Centre for British Art, New Haven, CT

1833-34c A Cornfield bordered by Trees
oil on panel 17.5 x 14.9 cm
The Ashmolean Museum of Art, Oxford, UK

1833-34c The Bright Cloud
ink and watercolour on paper 22.9 x 30.5 cm
Tate, London

1833-34c The Bright Cloud
tempera on mahogany 23.3 x 32 cm
Manchester City Art Gallery, UK

1833-34c The White Cloud
oil on canvas 22.3 x 27.4 cm
The Asmolean Museum, Oxford, UK

1833c The Gleaning Field
tempera on Mahogany 30.5 x 45.4 cm
Tate, London

1834 Evening, engraved by Welby Sherman
mezzotint on paper 14.9 x 17.8 cm
Tate, London

1834 View of Lee, North Devon
oil on canvas 26.7 x 38.1 cm
The Fitzwilliam Museum, Cambridge, UK

1835 Culbone, Somerset
watercolour, grey wash and gouache over black chalk and traces of pencil 29.4 x 38.8 cm
National Gallery of Victoria, Melbourne, Australia

1835 Mountains by the Traveller's Rest near Dolgelly
watercolour and gouache over graphite on beige wove paper
Yale Centre for British Art, New Haven, CT

1835 Pistil Mawddach, North Wales
black chalk and watercolour heightened with white on light buff paper 35.5 x 41 cm

1835 Pistil Mawddach, North Wales
watercolour, gouache and graphite 47 x 37.2 cm

1835-36 Pistil Mawddach, North Wales
watercolour, gouache and graphite with scratching out on cream wove paper 53.3 x 44.1 cm
Yale Centre for British Art, New Haven, CT

1835-36 The Waterfalls, Pistil Mawddach, North Wales
oil on canvas 40.6 x 26 cm
Tate, London


1835 Tintern Abbey
gouache and watercolour with pen and ink over graphite on cream wove paper 59.1 x 76.2 cm
Yale Centre for British Art, New Haven, CT

1835 Tintern Abbey
watercolour, gouache, brown ink and black chalk on white laid paper 37 x 48.6 cm
© Victoria and Albert Museum, London

1835-36 Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
gouache, watercolour, graphite and black chalk on wove brown paper 46 x 48.1 cm
Yale Centre for British Art, New Haven, CT

1835-36 Rocky Landscape in Wales
gouache and watercolour with traces of gum and black chalk on cream wove paper 47.9 x 37.9 cm
Yale Centre for British Art, New Haven, CT

1835c On the North Coast of Devon, Lundy Island in the Distance
watercolour and black chalk over graphite with touches of gouache 27.1 x 38 cm
The Metropolitan Museum of Art, New York City

1836 Conway Castle
graphite, watercolour, gouache and pen and brown ink on on wove paper mounted on card 76.2 x 59.1 cm
Yale Centre for British Art, New Haven, CT

1837 Street of the Tombs, Pompeii
watercolour 30.2 x 42.2 cm
© Victoria and Albert Museum, London

1837 The Villa D'Este, 1837
watercolour 17.3 x 37.4 cm
© Victoria and Albert Museum, London

1837-39 The Colosseum and the Arch of Constantine from the Palatine, Rome
graphite and watercolour on paper 13.7 x 27.9 cm
Tate, London

after 1838 Italian Hill Town
watercolour and gouache over graphite on blue wove paper 32.1 x 23.5 cm
Yale Centre for British Art, New Haven, CT

1838 The Cypresses at the Villa d'Este, Tivoli
watercolour, gouache and graphite on blue wove paper 43.8 x 59.7 cm
Yale Centre for British Art, New Haven, CT

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