Thursday, 20 December 2012

Ashcan School - John Sloan part 1


John Sloan c 1891

Continuing the intermittent theme on the New York "Ashcan School" (William Glackens, Robert Henry, George Luks, Everett Shinn, and George Bellows) the next artist I'm featuring is John Sloan.
John French Sloan (1871 – 1951) was born in 1871 in Lock Haven, Pa. After he finished high school, he worked for booksellers and dry-goods dealers. He studied briefly under Thomas Anshutz at the Pennsylvania Academy of Fine Arts and in 1892 was employed by the Philadelphia Inquirer as a newspaper artist. Robert Henri encouraged him as a painter, and he was influenced by Japanese prints. In 1895 he moved to the Philadelphia Press, for which he drew full-page colour pictures until 1902. His early paintings were street scenes, sombre in colour, vivid and direct in execution. These were first exhibited in 1900 in Chicago and Pittsburgh, and he was included in a New York group show in 1901.
Sloan married in 1901 and in 1904 moved to New York. For many years he supported himself as a magazine illustrator and after 1906, as a teacher. A series of 10 etchings of city life in 1905-1906, rich in content, often with undercurrents of humor or irony, found no purchasers. Though his work was seen in these years in the Carnegie International Exhibition and the National Academy of Design, more often than not his pungent and un-idealized urban scenes were rejected by academic critics. It was in part his rejection by the academy in 1907 that caused Henri to withdraw from that organisation. Sloan was one of the group of painters called "The Eight," whose exhibition at the Macbeth Gallery in 1908 called attention to the radical subject matter and vigorous execution of five of the painters - Henri, Sloan, William Glackens, George Luks, and Everett Shinn.
Sloan and his wife joined the Socialist party in 1910, and he became art editor of its magazine The Masses, to which he contributed some of his most compelling drawings. In 1910 and again in 1913 he was an unsuccessful candidate for the New York State Assembly. He withdrew from the party in 1914 but remained on the staff of The Masses for two more years. He sold his first painting in 1913 to Dr. Albert C. Barnes. He was well represented that same year in the celebrated Armory Show but was too completely a representational artist to have much sympathy for the new European movements exhibited there.
Sloan was an active teacher at the Art Students League and served as its president in 1931. He was president of the Society of Independent Artists from 1918 until his death; this organisation staged large, no-jury, no-prize shows from 1917 until 1944.
From 1914 to 1918 Sloan spent the summers in Gloucester, Mass. where he painted landscapes as well as people. He travelled to the Southwest for the first time in 1919, and for the rest of his life spent long periods in Santa Fe, N. Mex. where he built a house in 1940. The life of the Indians, the ceremonial activities of the Spanish inhabitants, and the dramatic desert landscape provided powerful new subjects. In 1931 he was active in organising a large exhibition of Indian tribal arts.
After about 1930 Sloan painted no more city scenes but became increasingly concerned with studies of the nude. The late paintings are monumental and technically innovative. In contrast to the direct execution of his earlier work, these are carefully constructed with monochrome underpainting, upon which an elaborate surface of bold cross-hatchings in colour gives startling relief.
The power of Sloan's personality is well conveyed in Gist of Art (1939), a compilation of statements made to his students which were recorded by Helen Farr, who became his second wife, in 1944. Sloan died on Sept. 7, 1951, in Hanover, N.H.


This is part 1 of a 5-part post on the works of John Sloan:



1890 George Eliot 
etching 14 x 10.1 cm

1890 Self-portrait 
oil on 'window shade'

1893 Professional Nurse 
watercolour 27.3 x 22.9 cm

1894 Schuylkill River 
etching 26.7 x 21.9 cm

1895 Moods 
commercial relief 51.4 x 32 cm

1895 The Echo 
commercial relief and letterpress 24 x 14.4 cm

1896 Cinder-Path Tales 
commercial lithography 9.4 x 34.5 cm

1896 Head of a Boy 
61 x 76.2 cm

1900 Green's Cats 
oil on canvas 55.9 x 76.2 cm

1900 Illustration for 26 August Philadelphia Press 
ink and watercolour

1900 Independence Square, Philadelphia 
oil on canvas 68.6 x 55.9 cm

1901 East Entrance, City Hall, Philadelphia 
oil on canvas 69.2 x 91.4 cm

1901 Illustration for Philadelphia Press 5 May 
ink and watercolour 54.6 x 44.5 cm

1902 Dupont's Ride 
etching 14.9 x 11.1 cm

1902 George Sotter 
oil on canvas 76.2 x 61 cm

1902 Young Woman in Black and White ( Mary Kerr ) 
oil on canvas 68.9 x 55.9 cm

1903 Dock Street Market 
oil on canvas 61.6 x 92.1 cm

1903 Girl Seated 
drypoint 26.4 x 22.4 cm

1903 Little Savoyards 
etching 14.9 x 11.1 cm

1903 Madame Mondigo 
etching 14.9 x 11.1 cm

1903 Monsieur Bellequeue 
etching 14.9 x 11.1 cm

1903 Will Bradner 
etching 32.1 x 23.5 cm

c1903 The Day on the Roof 
crayon on paper 34.3 x 38.1 cm

1904 Boy with Piccolo 
oil on canvas 68.5 x 56 cm

1904 Charles Paul de Kock 
etching 54.3 x 43.5 cm

1904 Madame de Grangeville 
etching 14.9 x 11.1 cm

1904 Mademoiselle Violette 
etching 14.9 x 11.1 cm

1904 Monsieur Dermilly, Benevolent Artist 
etching 14.9 x 11.1 cm

1904 Monsieur Dermilly, Benevolent Artist 
etching 14.9 x 11.1 cm

1904 Monsieur Mirotaine Waters the Wine 
etching 14.9 x 11.1

1905 Robert Henri 
etching 48 x 38.2 cm

1905 Stein in Profile 
oil on canvas 91.4 x 69.5 cm

1905 Turning Out the Light 
etching 12.7 x 17.8 cm

1905-06 Ferry Slip, Winter 
oil on canvas 55.1 x 80.5 cm

1905-06 Sunset, West Twenty-Third Street 
oil on canvas 61 x 91.4 cm

c1905-07 Daisy 
oil on canvas 68.6 x 55.9 cm

1906 Dust Storm, Fifth Avenue 
oil on canvas 55.9 x 68.6 cm

1906 Jewellery Store Window 
etching 27.8 x 21.6 cm

1906 Mother 
etching 39.2 x 32.9 cm

1906-07 The Picnic Grounds 
oil on canvas 61 x 91.4 cm

1907 Easter Eve 
oil on canvas 81.3 x 66 cm

1907 Election Night 
oil on canvas 67 x 82 cm

1907 Grey and Brass 
oil on canvas 55.9 x 68.6 cm

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