Monday 28 February 2011

Keith Haring - part 2

Here is some more work from 'graffiti' artist Keith Haring. For biographical information on Haring see part 1 below. These works date from 1984 - 1989:


 1984 Untitled


 1985 Moses and the Burning Bush


 1986 Untitled


 1986 Untitled


 1986 Untitled


 1986 Untitled


 1986 Untitled


 1987 Knokke


 1987 Untitled


1987 Untitled

1988 A Pile of Crowns for Jean-Michel Basquiat

1988 American Music Festival


 1988 Apocalypse #3


 1988 Apocalypse #6


 1988 Apocalypse #10


1988 Art Attack on Aids

1988 Growing

 1988 Growing


1988 Growing

1988 Red Room


 1988 Untitled



 1988 Untitled


1988 Untitled

1989 Barking Dogs, from Pop Shop Quad IV


 1989 Brazil


1989 Chocolate Buddah 4


1989 Ignorance = Fear / Silence = Death


 1989 Piglet goes Shopping


1989 Pyramid (Blue)


1989 Pyramid (Yellow)


1989 The Paris Review

1989 The Story of Red and Blue XV (C.132)


 1989 Untitled


1989 Untitled

1989 Untitled

1989 Untitled

1989 Untitled

1990 Best Buddies


1990 Fight Aids Worldwide


1990 Flowers

1990 Flying Icon


1990 Icons: 3-Eyed Smiley Face

1990 Icons: Angel

1990 Icons: Radiant Baby

1990 The Blueprint Drawings 15

Sunday 27 February 2011

Keith Haring

1978 Untitled
Following on from my recent post on graffiti artist Jean-Michel Basquiat, I thought I'd take a look at a couple of his contemporaries on the New York 'graffiti' art scene. This is the first of two posts looking at the work of Keith Haring.
Haring (1958 – 1990) was born in Reading, Pennsylvania. He developed a love for drawing at a very early age, learning basic cartooning skills from his father and from the popular culture around him, such as Dr. Seuss and Walt Disney.

1978 Untitled

On graduation from high school in 1976, Haring enrolled in the Ivy School of Professional Art in Pittsburgh. He soon realized that he had little interest in becoming a commercial graphic artist and dropped out in the first year. While in Pittsburgh, Haring continued to study and work on his own and in 1978 had a solo exhibition of his work at the Pittsburgh Arts and Crafts Center.
In 1979 Haring moved to New York and enrolled in the School of Visual Arts. He found a thriving alternative art community that was developing outside the gallery and museum system, in the downtown streets, the subways and spaces in clubs and former dance halls. He became friends with fellow artists Kenny Scharf and Jean-Michel Basquiat, as well as the musicians, performance artists and graffiti writers that comprised the burgeoning art community.

1981 Untitled

Haring was also inspired by the work of Jean Dubuffet, Pierre Alechinsky, William Burroughs, Brion Gysin and Robert Henri’s manifesto The Art Spirit, which asserted the fundamental independence of the artist. With these influences Haring was able to push his own youthful impulses toward a singular kind of graphic expression based on the primacy of the line. Also drawn to the public and participatory nature of Christo’s work, in particular Running Fence, and by Andy Warhol’s unique fusion of art and life, Haring was determined to devote his career to creating a truly public art.

1982 Colouring Book

As a student at SVA, Haring experimented with performance, video, installation and collage, while always maintaining a strong commitment to drawing. In 1980, Haring found a highly effective medium that allowed him to communicate with the wider audience he desired, when he noticed the unused advertising panels covered with matte black paper in a subway station. He began to create drawings in white chalk on these blank paper panels throughout the subway system. Between 1980 and 1985, Haring produced hundreds of these public drawings in rapid rhythmic lines, sometimes creating as many as forty “subway drawings” in one day. This seamless flow of images became familiar to New York commuters, who often would stop to engage the artist when they encountered him at work. The subway became, as Haring said, a “laboratory” for working out his ideas and experimenting with his simple lines.

1982 Untitled (Foster & Kingman)

Between 1980 and 1989 Haring achieved international recognition and participated in numerous group and solo exhibitions. During this period, he also participated in renowned international survey exhibitions such as Documenta 7 in Kassel; the São Paulo Biennial; and the Whitney Biennial. Haring completed numerous public projects in the first half of the 80’s as well, ranging from an animation for the Spectacolor billboard in Times Square, designing sets and backdrops for theaters and clubs, developing watch designs for Swatch and an advertising campaign for Absolut vodka; and creating murals worldwide.

1983 "KEITH HARING 83" Galerie Watari Tokyo Exhibit Poster

Throughout his career, Haring devoted much of his time to public works, which often carried social messages. He produced more than 50 public artworks between 1982 and 1989, in dozens of cities around the world, many of which were created for charities, hospitals, children’s day care centers and orphanages.

Keith Haring died of AIDS related complications at the age of 31 in 1990.
Since his death, Haring has been the subject of several international retrospectives. The work of Keith Haring can be seen today in the exhibitions and collections of major museums around the world.
Something that has struck me is the similarity between some of Haring's work and some of the primitive works of Aboriginal Australians, as in the examples below:


 An Australian Aboriginal painting


Keith Haring: 1982 Untitled


 1979 Untitled


 1980 Untitled


 1981 Untitled


 1981 Untitled 


 1982 Untitled


 1982 Untitled


 1983 Fertility 3


 1983 Fertility 5


 1983 Fertility


 1983 Untitled


 1983 Untitled



1984 International Youth Year


 1984 Untitled


 1984 Untitled


 1984 Untitled



1984 Untitled

1984 Untitled

1984 USA-1

1985 Untitled

1986 Double Man

More works by Keith Haring in the next blog post.